«Homie». Sculpture (Polyurethane and acrylic resin) + Glass Lamp. 20 x 7 x 4,5 cm. Edition. 7 + AP. 2020
“Isolated in the modern outdoors (Black)”. 34 × 32.5 × 15 cm. Polychrome resin & iron. 2020
“game of thrones”
Polyurethane resin. 18 X 15 x 13CM. 2017. Edition.8
“follow the leaders”
resin & debris & cardboard. 16 X 28,5 x 20CM.
“survivor”
Polyurethane resin. 40 x 14 x 6,5CM.Unique.2017.
“business man”
Polyurethane resin. 27 x 9 X 8CM. 2017.
“the painter”
Polyurethane resin. 30 X 16,5 x 7,5CM. 2017.
isolated in the modern outdoors (Blue). Polychrome resin & iron. 2020
ABOUT ISAAC CORDAL.
Isaac Cordal was born in 1974 in Pontevedra, Galicia, Spain. He studied at the University of Fine Arts Pontevedra, degree in sculpture. He studied for five years at the School of Canteiros Pontevedra, a school dedicated to the conservation of stone crafts. He also trained at Camberwell College of Arts in London.Isaac Cordal was a founding member of Alg-a.org, digital art community from Galicia. He was part of the artistic collective Ludd34560 and Sr. Pause.
With the simple act of miniaturization and thoughtful placement, Isaac Cordal magically expands the imagination of pedestrians finding his sculptures on the street.
Cement Eclipses is a critical definition of our behavior as a social mass. The art work intends to catch the attention on our devalued relation with the nature through a critical look to the collateral effects of our evolution. With the master touch of a stage director, the figures are placed in locations that quickly open doors to other worlds. The scenes zoom in the routine tasks of the contemporary human being.
Men and women are suspended and isolated in a motion or pose that can take on multiple meanings. The sympathetic figures are easy to relate to and to laugh with. They present fragments in which the nature, still present, maintains encouraging symptoms of survival. The precariousness of these anonymous statuettes, at the height of the sole of the passers, represents the nomadic remainders of an imperfect construction of our society. These small sculptures contemplate the demolition and reconstruction of everything around us. They catch the attention of the absurdity of our existence.
Isaac Cordal is sympathetic toward his little people and you can empathize with their situations, their leisure time, their waiting for buses and even their more tragic moments such as accidental death, suicide or family funerals. The sculptures can be found in gutters, on top of buildings, on top of bus shelters; in many unusual and unlikely places.
