Felipe Pantone. “DYNAMICHROME 3 & 4”. SC GAllery proudly presents “ON PAPER II”, a group exhibition.
“DYNAMICHROME 4”
SPRAY PAINTING ON PAPER 240GR. 42X29,7CM. 2015
“DYNAMICHROME 3”
SPRAY PAINTING ON PAPER 240GR. 42X29,7CM. 2015
“DYNAMICHROME 3”
SPRAY PAINTING ON PAPER 240GR. 42X29,7CM. 2015
FelipePantone. “Arteko Container” Bilbao. Curated by SC Gallery Art Management
FelipePantone. “Arteko Container” Bilbao. Curated by SC Gallery Art Management
About Felipe Pantone
Felipe Pantone is an Argentinian-Spanish artist. He started doing graffiti at the age of 12. He graduated with a Fine Art degree in Valencia (Spain) where his studio is based. Pantone’s work deals with dynamism, transformation, digital revolution, and themes related to the present times.
Felipe Pantone evokes a spirit in his work that feels like a collision between an analog past and a digitized future, where human beings and machines will inevitably glitch alongside one another in a prism of neon gradients, geometric shapes, optical patterns, and jagged grids.
Based in Spain, Pantone is a byproduct of the technological age when kids unlocked life’s mysteries through the Internet. As a result of this prolonged screen time, he explores how the displacement of the light spectrum impacts color and repetition.
Felipe Pantone’s approach is to question the current era and its propensity to place new technologies at the center of our daily lives, making us dependent on a superabundance of images and symbols. He himself is passionate about the advent of the internet that allows instant access to the entire history of humanity. The problems he addresses are contemporary and universal: movement, the notion of time, saturation, alienation and destruction
For Pantone, his art is a meditation on the ways we consume visual information. Drawing inspiration from kinetic artist like Victor Vasarely and Carlos Cruz-Diez — who both utilized the moiré effect (in which lines of contrasting color give the impression of movement) — his contemporary work produces the sensation of vibration as the viewer’s position changes in relation to the work. To achieve the desired effect, Pantone utilizes modeling software which allows for 3D insights into a project, which then can be translated into frescoes, murals, paintings, and sculptures which give tactile merit to what is occurring in the digital world.
In a powerful dynamic, Pantone extends on the walls with its futuristic style with psychedelic accents that evokes Italian Futurism. There are also abstract and stroboscopic touches that articulate black and white geometric shapes that he combines with bright metallic colors, not unlike the Mire, a visual that appears on the television when there is no show. Visual explosion of a certain brutality, his work is stored in the kinetic art, in the footsteps of a Victor Vasarely or Carlos Cruz-Diez.
Whether it’s exhibiting in galleries around the world, transforming a 1994 Chevrolet Corvette into something futuristic, or painting the largest mural in Portugal, Pantone’s diverse applications are united by the intersection of technology and fine art.
